Independentist News

Commentary

Le RDPC : Une Société d’État Déguisée en Parti Politique

Par définition, un parti politique organise les citoyens, concourt loyalement et respecte les règles démocratiques. Le RDPC ne fait rien de tout cela.

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Commentary

Le Silence de l’ONU sur la Corruption Alléguée : Une Preuve de Complicité ?

Ce silence n’est pas de la diplomatie. C’est de la complicité. Le Secrétariat de l’ONU à New York ne peut pas se cacher

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Editorial

The Poison Called “Compromise”

Issa Tchiroma—a northerner who long sold himself to Yaoundé—seeks to repackage this poison. Having gained nothing from his own compromise with the junta,

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Retrospective,

Biden’s Department of Justice: Washington’s Weapon to Protect Biya’s Bloody Dictatorship

The indictment of Chi, Langmi, and Chenyi in late 2022 was not about terrorism or weapons. It was about silencing diaspora voices who

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Commentary

The RDPC: A State Corporation Masquerading as a Political Party

In 1985, Paul Biya rebranded the UNC into the RDPC, a mere name change without legal foundation By Timothy Enongene for The Independentist

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Commentary

UN Silence on Alleged Bribery: Proof of Complicity?

Amina Mohammed, is suggested turned down a financial packge. But as Geneva raises alarms while New York remains silent, doubts grow. If the

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Commentary

France’s Mirage of Grandeur: From Quebec to Ambazonia, A Small Power Pretending at Empire

From Quebec to Indochina, from Algeria to Rwanda, and now in Ambazonia, the story is the same. France reaches too far, fails, and

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News analysis

Too Little, Too Late: The UN’s Hollow Call on Cameroon’s Sham Elections

The UN appeals are late: Paul Biya—the 92-year-old ruler who has clung to power for more than four decades—has already prepared the script.

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Public scrutiny

MimiMefo INFO: Journalism or Propaganda?

Detractors of Dr. Samuel Ikome Sako, are repeatedly given airtime and coverage, the man himself—the legitimate head of our liberation movement—has never once

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Profiles

Bate Besong: The Poet Who Refused to Be Silent

Bate Besong: His pen was a weapon of defiance against dictatorship and corruption. In 1992, after his play Beasts of No Nation was

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